
As you can see, Gray is usually far more genteel.
I’m deeply honored and pleased (and yeah, a little turned on) to re-post, with permission, a really remarkable essay on race play.
Shock #1, it isn’t by me.
Less shocking, it is about me, kinda.
Shockingest of all? It is an essay written from the top’s experience in doing race play. My friend Gray(dancer), who blogs here and podcasts here, was gracious enough to write about how the scenes we’ve done have been for him.
I am glad he chose to share this, as it is less typical to read about scenes from a top’s perspective, and I personally haven’t seen anyone else write on this particular role play from the “bad-guy” perspective. Sidebar: I’ve pulled together a bunch of my previous writings / interviews / media on this topic to be found and updated as needed here: mollena.com/race-play
So bit props to Gray, and I’m off to…um…(re)read it in the privacy of under my blanket. With a vibrator.
Posted by Graydancer, December 30th, 2011
Yesterday Mollena got a tweet asking if anyone had written about race play from the white or oppressor’s side. She tagged me as being someone who ought to, so, for better or worse, here it is:
Hi. I’m the oppressor.
I don’t feel like the oppressor. Seems to me that I don’t make enough money to be the oppressor. But I have a melanin deficit in my skin, so when I play with Mollena, sometimes, I’m the oppressor.
Not all the time. It’s strangely, vitally important that you know that. There are times when I’m playing with Mollena that there’s nothing about race involved in the play. It’s about making her mouth open in that silent scream, feeling her body shake with an orgasm, watching her eyes roll back as she tries to keep her body from betraying her the way it does, over and over, to my particular methods of inflicting pain and pleasure.
See how easy it is to talk about that? That’s my kind of pleasure, and if it’s oppression, it’s the oppression I’m comfortable with. The fact that we have different shades of skin is purely incidental.
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